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Welcome to the Sixth Annual Irish Reels Film & Video Festival!
The following is a list of films under consideration for the sixth annual Irish Reels Film Festival, March 6-8th & 15-16th, 2003. Screening times and locations will be added as films are confirmed. Check back often!!
FEATURES
Bloody Sunday
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Writer/director Paul Greengrass, 35mm
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“Bloody Sunday” is a documentary-style drama that recreates the deadly events of Jan. 30, 1972. On that day in the Catholic district of Derry in Northern Ireland, 13 unarmed Northern Ireland Civil Rights Association demonstrators protesting the British internment of Irish citizens without a fair trial were killed by members of the British Parachute Regiment. The incident is cited for re-igniting the decades-long civil war between the Irish and the British and inspiring thousands to join the Irish Republican Army. Writer and co-producer of the film, Don Mullan, was a 15-year-old living in Derry at the time of the incident. He later wrote what has been called the definitive account of one of the greatest tragedies of the Northern Ireland troubles; Eyewitness Bloody Sunday: The Truth
The film premiered at the 2002 Sundance Film Festival, where it tied for the World Cinema Audience Award. It also was named Best Picture at the Berlin Film Festival.
Screens at 8.30pm, Saturday, March 8th at SAM.
Due to family illness Don Mullan is unable to attend the screening.
Goldfish Memory
DIRECTOR: Liz Gill
PRODUCER: Breda Walsh
SCRIPT: Liz Gill
PHOTOGRAPHY: Ken Byrne
EDITING: Dermot Diskin
CAST: Sean Campion, Flora Montgomery, Jean Butler, Keith McErlean, Stuart Graham, Fiona O'Shaughnessy, Fiona Glascott, Peter Gaynor, Lisa Hearns, Justine Mitchell, Demian McAdam, Aisling O'Neill
LOCATION: Dublin
FORMAT: DV, 35mm
RUNNING TIME: 85 mins
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Goldfish Memory is a light-hearted look at the dangers and delights of dating in contemporary Dublin. When Clara sees her boyfriend Tom kissing Isolde, it sets off a chain reaction of romances and heartbreaks until the entire cycle has turned full circle, each character trying to solve the pressing question of what is the perfect relationship! Some favour marriage, others a week-at-a-time arrangement. The only thing they can all agree on is that love is the one thing we can't live without. Falling in love, out of love and making the same mistakes all over again - all of us say we learn from heartbreak, but how many of us really change? And do we want to? Exploring the comical nature of love, straight, gay and in-between, "Goldfish Memory" brings life to the saying what goes around, comes around...and around...and around...
Screens at 7.00pm on Thursday, March 6th at Harvard Exit.
LAST DAYS IN DUBLIN
Director: Lance Daly
Executive producer: Hughie Kelly
Director of Photography: Ivan Mccullough
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Last Days in Dublin is a new Irish independent feature film following the adventures of monster, a young Dubliner who dreams of travelling abroad in search of opportunity and adventure. Finding his plans constantly thwarted by a host of oddball characters, he is joined by Freddie, a homeless explorer, as he rallies to find an alternate escape.
LAST DAYS IN DUBLIN is the debut film from director Lance Daly and was shot on location in Dublin, Wicklow, New York, Paris and Cairo.
Screens at 4.00pm on Saturday, March 8th at SAM.
DOCUMENTARIES
Darkroom
Director: Ian Thuillier
Documentary - 52 min DVD
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In December 1997, the noted Irish photographer Harry Thuillier Jr. died
under mysterious circumstances in Milan at the age of 33. His death ended a
brief but incredibly full life, in which he had produced an array of highly
regarded and sometimes controversial fine art photographs. Haunted by his
brother's tragic death, Ian Thuillier decided to make a documentary film
about
his brother's life, his art and his death. Although a first-time filmmaker
and extremely close to
his material, Thuillier does not attempt to sanitize his difficult and
sometimes elusive subject. Rather, he has produced a mesmerizing portrait of
a young artist on a collision course with fate.
Screens at 9.15pm on Friday, March 7th at 911 Media Arts Center and at 3.00pm on Saturday, March 15th at Seattle Center
Photos to Send
Director: Deidre Lynch
Documentary - 86 min Beta SP
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“I grew up reared in the land. And the land was my religion.” These words are key both to this lyrical film and to the photographs of Dorothea Lange that inspired it. In 1954, world-renowned photographer Dorothea Lange traveled to County Clare, Ireland on assignment for LIFE magazine. Using what Dennis Wylde, a local photographer in Clare who assisted Lange, describes as “God’s light,” she took more than 2400 photographs, creating a lasting record of a rural life that would soon disappear.
Nearly a half century later, using the photographs and notes gathered from Lange’s archive, Irish-American director Dierdre Lynch retraced Lange’s steps, traveling country roads, searching. She found many of Lange’s original subjects, and they welcomed her into their houses—and their lives, just as they had welcomed Lange forty-four years earlier.
Original musical score by Martin Hayes and Dennis Cahill
Screens at 6.00pm on Saturday, March 8th at SAM.
Deirdre Lynch will be present to introduce her film.
The Last Storyteller
Writter/Director: Desmond Bell
Producer: Margo Harkin
Narration: Stephen Rea
Documentary, Beta SP 52mins
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A film about fairy lore, story telling and the magic of cinema…..
Sean O hEochaidh collected the folk lore and fairy tales of his native Donegal for most of his long life. He began work with the Irish Folk Lore Commission in 1935 the same year that Walter Benjamin finished his classic essay The Storyteller and Artisan Culture. The previous year the documentary camera had arrived in Ireland in the dexterous hands of Robert Flaherty. For the next forty years Sean traveled the highways and byways of Donegal recording the last generation of traditional storytellers. Now it is time for him to tell his story.
Director Desmond Bell has already drawn upon Sean’s vast experience of folk lore in the making of his award winning film The Hard Road to Klondike. In his new film Bell reconstructs the life of Sean as a collector and retells some of the engaging and uncanny stories Sean collected and wrote down. Today we are sceptical about the world of fairies. The oral tradition which sustained belief in the ‘wee folk’ and their powers is wasted. And yet these stories, of changelings, of the mischief wrought by the fairy host, of female desire aroused, of virtue rewarded and evil punished still speak to us. If you have a red haired child be afraid, be very afraid…..
The film makers vividly portray a disappearing world. They find new ways to tell old stories which still touch us. THE LAST STORYTELLER reflects on what is lost in our culture with the end of traditional storytelling. But it also celebrates the narrative capacity of cinema itself.
Screens at 6.30pm on Friday, March 7th at 911 Media Arts Center and on Sunday March 16th, 2.00pm at Seattle Center.
Ar Dover Fein (Our Own Dover)
Documentary: 58mins BetaSP
A one hour drama-documentary re-telling/ examination of the 1937 Kirkintilloch Bothy disaster in which ten young ‘tattie hokers’ all from Achill Island, lost their lives. Viewed against the background of seasonal migration from Achill and Donegal; and in the context of racist attitudes then and now.. Funded by TG4, The Gaelic Broadcasting Committee and Bord Scanan na hEireannm (the Irish Film Board). Second Prize Gold Plaque WorldFest Heuston. Certificate of Creative Excellence US International Film and Video Festival. John Healy Award and overall Media Award Carrick-Gold Festival. Celtic Film and Television Festival Nomination.
Screens at 2.00pm on Saturday, March 15th at Seattle Center.
IRELAND'S OWN
Director: Gerry Nelson.
Producer: Niamh Barrett and Steve Carson
If you drop into a Dublin newsagent, there amongst the lad rags and the gossiping glossies you'll find a weekly magazine which has been publishing uplifting moral stories, corny jokes and sensible advice to readers for a hundred years.
The demise of 'Ireland's Own' has been predicted many times but the Wexford-based magazine with a circulation of nearly 50,000 has been quietly refusing to die in the face of a supposedly changing Ireland. This documentary was produced by Mint Productions for RTE as part of the “True Lives” series.
Screens at 3.00pm on Sunday, March 16th at Seattle Center.
SHORT FILMS
The Last Time
Writter/Director: Conor Horgan
Producer: Noreen Donohoe
Short 12mins
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This very sensitive and beautifully balanced film walks that fine line between pathos and empathy for the lead character, played exquisiteily by Linda Bassett (East is East). On hearing she may not have long to live, a woman in her fifties goes out looking for love in all the wrong places, with predictably negative results. However, the knowledge that this may be her last chance at some happiness drives Everlyn on to being more audacious than usual. The feel good outcome of her endeavors is therefore, all the more
UIP Awards 2002: Best Irish Short Film
Cork International Film Festival 2002: Best Irish Short Film
Padraig Agus Nadia
Writter/Director: Kester Dyer
Short 16mins
Gaelic with English subtitles.
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Padraig Agus Nadia is the story of star-crossed lovers set against the
multicultural background of modern Ireland. Essentially a comedy, this
innovative short film presents a more serious commentary on cultural
differences and prejudices. The imaginative use of language and silence are
central to this film.
The Making of a Prodigy
Writter/Director: Colm McCarthy
Short 12mins
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If a teacher can’t protect children, who can?
This is the rationale used by art teacher, Ellen Chapman for her subsequent behavior when she finds her class blessed by an exceptional pupil in the form of twelve-year-old Daniel Mooney, a prodigiously talented painter. In her efforts to secure her discovery’s place in modern art history, Miss Chapman finds she is forced to resort to extreme measures to enable her protégé’s talent to blossom. Ultimately, her devotion is tested severely in this modern Faustian tale.
Meeting Che Cuevara
During the Cuban Missile Crisis in 1963, a young woman from a small Irish town develops a fascination with the H.G Wells book “War of the Worlds”. Slowly her imagination and reality merge between the potentially real war of the Eastern and Western worlds and Science Fiction, as she sets out to meet Che Guevara, in a bid to save the world from Martian invasion. Unbeknownst to her, Che Guevara has in fact stopped over in the West of Ireland to refuel on a flight from Cuba to Algeria. In fact, it’s only a matter of time before she catches up with him to deliver a letter that The Man from Maybury Hill has told her to deliver. The real and surreal become fantastically blurred as they slowly and surely draw their plans against us.
A skillful blending of fiction with some factual archival material is used to to create this intriguing film.
Director: Anthony Byrne
TRT: 17mins
All God’s Children
The year is 1857, a bleak landscape in a barren time. Six Men gather with a convict on the moors. Under threat of execution, he is forced to search for his final victim’s burial place. As storm clouds gather they journey deeper into the mire, digging to no avail and suffering the full force of the tempest. Near dark, the governor resolves to end the quest with one final dig. None realize the horror that awaits them. A broodingly evocative film that recalls the best of Hammer Studios Horror.
Written and Directed by Tom Cosgrove
TRT: 10:48
Up the Country
This is a romantic comedy about two lost souls who are brought together by a mixture of fate, the supernatural and by a mutual love of confectionary. Joe Cooney whose only passion is buns and brulee, is persuaded to help his old pal, Biscuit Brady – on leave from prison for his Granny’s funeral – to help him on a small job, ‘up the country’. The tarty local barmaid, Anne, has her heart set on an old signpost as a decorative fixture for the pub’s interior and Biscuit reckons this is his chance to impress. And thus begins a feel-good fairy tale!
Produced and Directed by Asylum Productions
TRT: 12:55
When Bridie Called Gerry
Based on a true story, in this comic short an elderly lady caller phones a well-know Irish radio chat show (Gerry Ryan Show) to retell the unusual events surrounding her bizarre honeymoon on the Isle of Man. Using the original radio recording, and blending archive footage with live action, this film has a delightful twist in the tail.
Produced by Kavaleer Prodctions.
TRT: 3mins
The Angelus
Take the time to pause and reflect as the Angelus bells ring…a witty if not sarcastic look at an Irish Television institution, namely The Angelus, a call to evening meditation, broadcast at 6pm every evening.
Produced by Janey Pictures
TRT: 3mins
What Miro Saw
This brief film diary is a dialogue between Robert Janz, an artist trapped in his lower Manhattan loft by the disaster of Septer 11th, who faxes drawings of what he sees through his window to a friend in Dublin
Produced by Metropolitan Films
TRT: 3mins
The Phantom Cnut
A classroom with the legend The Phantom Cnut written in chalk on the blackboard. An indignatnt techer demands to know ehich of his pupils are responsible for the enigmatic inscription. The comic denoucement shows how clever his students really are, as their teacher literally misreads the situation.
Produced by DeFacto Films
TRT: 3mins
Sunday Munch
A visual and almost edible feast. A comic character study, this stylized film dissects the delectable eating habits of the hungry Baker family one Sunday dinner time. A choreographed mime set to Verdi’s dramatic Anvil Chorus from Il Trovatore. Food for thought.
Produced by Parallel Films
TRT: 3mins
ANIMATION
A collection of short animation pieces from the FrameWorks 2002 series, funded by the Irish Film Board, RTE, The Arts Council and the Northern Irish Film Commission
Pullin’ The Devil by the Tail
This apocryphal claymation tale is narrated by Pucker Ryder, one of the original members of an Irish folk-punk band, aptly named Stocious.
One dark night a black goat talks to the hapless trio as they’re walking home and they freak out and kill it. The Devil turns up and claims it was his goat. The pressure is on, but can the lads rise to the challenge, knowing their lives may depend on it?
Winner of the 2002 Best Director/Animation UIP Awards.
Directed and animated by Stephen McCollum.
TRT: 6mins
From Darkness
Based in an old Intuit folktale, From Darkness tells the story of a lonely fisherman who drifts into a haunted waters in search of food. There he encounters a woman who originally was cast into the sea, only to return in a guise that is frightening and yet provides an opportunity for regeneration and union with the fisherman.
Produced by Nora Twomey and Paul Young
TRT: 8:22
Butterfly
Butterfly is a journey from life to death and back. It is a kaleidoscope of color, sound, and movement that lives somewhere between art and entertainment, speaking eloquently and subtly of the cycle of life and the transience of the moment. Nothing lasts forever but there is always hope in beauty, form and harmony.
Directed and animated by Glenn Marshall
TRT: 10mins
The Trial of Solomon
On a cold winter night in Berlin in 1921 a young Armenian, Solomon Teiliran, wok from his sleep. Above him to his horror was a ghostly image of his dead mother. She told him that the murderer of his family lived nearby and that he should, if he was a good son, seek this man out and avenge their deaths.
Following her instructions ultimately brings Soloman to trial. His victim was Memhet Taalet, the former Interior Minister for Turkey during World War One. At his trial, society itself was indicated as the massacre of over one million Armenians by the Turkish was disclosed.
Written and directed by Steve Woods
TRT: 6:30
Rehy Fox
An ancient tale from the Loop Head Peninsula of a fox who outwits all those around him, told in drawings made of sand from the landscape itself.
The narrator of the story of the canny fox is a local character who injects his own personality into the folktale with amusing results.
Animated and Produced by Naomi Wilson
TRT: 6:16
NOSE
Adapted from Nikolai Gogol’s fantastic tale, The Nose.
See a man trapped in a box telling tales of men and noses. See a great man stripped of his nose and brought to his knees. See a nose don armour and ride a horse. At last, the final nail in Nikolai Gogol’s coffin.
Directed by Stephen O’Connell
TRT: 6:30
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