911 media arts center logo
    • Home
    • Education
      • Classes
      • Corporate and Group Training
      • Youth Programs
      • Scholarships
      • Faculty
    • Events and Programs
    • Resources
      • Equipment
      • Edit Suite / Computer Labs
      • Bulletin Board
      • For Sale
    • Gallery
      • Current Exhibitions
      • Upcoming Exhibitions
      • Exhibition Archive
    • Artists
      • Residencies
      • Past Residents
      • Residency Application
      • Scholarship Opportunities
    • Get Involved
      • Membership
      • Newsletter
      • Volunteer/Intern
      • Donation
      • The Board
      • Corporate Underwriting
      • Fiscal Sponsorships
    • On Screen Magazine
      • Current Issues
      • Past Issues
    • Contact
    • Donate
    • Join
    • Calendar
    • News
    • About

  • Follow:
    206.682.6552
    909 NE 43rd Street Suite 206.
    Seattle, WA 98105
    directions | info@911media.org

    • Share:
    • Contact
    • Donate
    • Calendar
    • News
    • About
    In a time of major advances in digital media 911 Media Arts Center envisions a future where independent voices thrive in a society that fosters diversity, innovation and artistic excellence.

    • Exhibitions Archive

    • Shimon - The Improvising Robotic Musician
      Sounds Human at Bumbershoot 2010
      Curated by Lele Barnett and Kathy Lindenmayer

    • July 8 - August 7, 2010
      ACTION
      Joseph Patrick Gray, Keith Tilford, DUMB EYES, Tabor Robak, Izzie Klingels, Amanda Manitach, Frank Correa, and Nick Bartoletti
      Sponsored by 911 Media Arts Center and The Andy Warhol Foundation for the Visual Arts

    • December 18, 2009 - September 19, 2010
      Cultural Transcendence
      Robert Hodgin, Eunsu Kang, Heidi Kumao, Horatio Law, Brent Watanabe
      Curated by Lele Barnett

    • October 6 - 13, 2009
      Stelarc

    • August 1 - 21, 2009
      "Paper Thin Walls"

    • June 27 - July 24, 2009
      Dorkbot

    • April 16 - May 30
      Sur face
      Margot Quan Knight

    • February/March 2009
      Between Here and a Kind of Fleshlessness
      Tivon Rice

    • November 2008
      Virtuelle Mauer / ReConstructing the Wall

    • September 2008
      Don’t You F#{%ING Look At Me!

    • July 2008
      I Die Daily
      Matthew Wallin

    • May 2008
      OBViouS

    • April 2008
      yellow
      Robert Campbell

    • February 2008
      Simultaneity: Entanglement

    • December 2007
      People Doing Strange Things With Electricity

    • October 2007
      The Travels of Mariko Horo Tamiko Thiel

    • August 2007
      Glass Onion
      Gary Hill

    • June 2007
      Straight to Video

    • April 2007
      Memory Whole
      Tony Weathers

    • February 2006
      Light_Paper_Sound

    • April 2005
      Wave TransformationsRosalind Schneider

    • December 2004
      Language Willing
      Gary Hill

    • March 2004
      Assisted Nature
      Marianna Haniger

    • December 2003
      One in Five
      David Nechak

    • November 2003
      Policeline 2003Stephen Gunning

    • October 2003
      Dia de Muertos

    • May 2000
      The Bible Cycle
      Brad Miller

    • March 2000
      Futuristic Native Outfits for Night Raids (and other paraphernalia)

    • February 2000
      Illuminating Language
      Dick Averns

    • June 1998
      Gulf
      Heather Dew Oaksen





    Gallery > Exhibitions Archive > February 2000
    Illuminating Language
    Dick Averns

    Illuminating Language
    A 911 Windows Installation
    Dick Averns
    February 10 – March 19, 2000

    911 Media Arts Center is pleased to present Illuminating Language, a new neon installation by British artist Dick Averns. The exhibition ran from February 10 through March 26 in 911’s five storefront windows, at our previous location on Yale Avenue.

    Illuminating Language, commissioned by 911 Media Arts Center for its Windows exhibition program, probed the vitality of language using a mix of neon and backlit texts. The content of the artwork posed questions about the structure of relationships – between artwork and audience, linguistic thought and visual communication. The installation served as a succinct parenthesis or subtext to the way in which a text based language has been incorporated within a broader visual idiom. The work, installed in a public display space, engaged passing pedestrians and the thousands of drivers who passed by daily. Neon, as an artistic medium, has a strong history in the Pacific Northwest and is currently undergoing a resurgence in installation-based exhibitions.

    Dick Averns was born in London, England and is currently a resident of Vancouver, Canada. He was recently artist-in-residence at The Banff Centre for the Arts and his photo-conceptual exhibit Luxury Avenue (a forensic exploration of residential housing developments) is now touring British Columbia. Averns trained as a fine artist in New York and London and adopts an interdisciplinary approach to his practice, working in sculpture, performance, contemporary dance and public art projects.